The Resonare amplifier, front view
For the concert guitarist

Fill the room. Keep your sound.

Resonare is a compact amplifier for the concert classical guitar. It gives your instrument the level a room demands — without touching your tone, your dynamics or your touch.

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Loud enough for the room, without losing the guitar.

A classical guitar is a quiet instrument with a great deal to say. Beside a cello, a flute or a violin — or in a hall built for something louder — it is easily outmatched: not in artistry, but in volume.

The usual answers trade one problem for another: a microphone that ties you to one spot, a pickup that can colour your tone, a rig that turns a recital into a technical project. Resonare is built to end that trade-off — enough level for the room, with your sound still your own.

Listen

Hear the difference, not the specs.

Same guitar, same room — with and without Resonare. Three situations that matter most to a concert guitarist.

Solo

Your full dynamic range, from the quietest passage to the loudest, carried to the back row.

Ensemble

Beside cello, flute or violin, the guitar takes its place in the conversation instead of disappearing.

Large hall

Presence in a big room, without a microphone stand, a mixing desk or a sound engineer.

Why Resonare

Three promises to the player.

Your sound stays your sound.

Onboard DSP shapes the response around your guitar's own resonance, so it reinforces your tone and dynamics instead of colouring them. Level for the room, character from the instrument.

Hear yourself. Trust the room.

Placed beside you on a stand, the amplifier lets you hear your own playing clearly, so you can concentrate on the music and rely on it reaching your audience.

Simple, light, out of the way.

One small cabinet and a contact receiver. No cable maze, no technical project: set up in minutes and calm on stage, so the focus stays on the music.

How it works

From your guitar to the back row, in three steps.

Resonare separates the two jobs an amplifier usually bundles together: picking up the instrument faithfully, and projecting it convincingly.

The tailored sound receiver, a small contact sensor on a thin cable
01 — Attach

Mount the sound receiver

The tailored contact receiver is fixed to the guitar body with a dab of beeswax — solid contact, zero residue, no impact on the instrument's finish.

The receiver fixed near the bridge of a classical guitar
02 — Tune

DSP learns your instrument

The onboard processor shapes its response around your guitar's own resonance, so what comes out of the speaker still sounds like your guitar.

A classical guitar with the Resonare receiver mounted near the soundhole
03 — Play

Set the amplifier and go

Place the cabinet on any standard stand — DIN 4503-1 / ISO 1222 tripod thread — beside you, and you're ready for rehearsal or the stage.

On the road

Light enough for the train. Quick enough for sound check.

Resonare is designed around how you actually travel: it lives in your case, goes on any standard stand and is ready in minutes — then disappears from the stage as quietly as it arrived.

Output power
40 W
Weight
1.8 kg
Dimensions (W × H × D)
200 × 200 × 150 mm
Power supply
Standard 14.4 V rechargeable pack
Stand mount
DIN 4503-1 / ISO 1222 thread
Instrument mount
Contact receiver, beeswax fix
Included receiver
Tailored sound receiver
Top panel of the Resonare amplifier, showing the power switch and volume knob
Our approach

Few products, done properly.

Resonare is developed with a professional builder of concert classical guitars and made in Berlin. We would rather perfect one amplifier than offer ten.

01

Sound before everything

We do not ship until it sounds right. Tone and build quality come first, every time.

02

One amplifier, refined

A focused range that keeps getting better, instead of a catalogue that keeps getting longer.

03

Manufactured in Berlin

Documented, repeatable processes, so every unit is built and checked to the same standard.

04

Built with players

Developed together with a luthier and concert guitarists, so mounting, weight and balance respect the instrument first.

Accessories

Everything to keep it stage-ready.

Available separately, so you only replace what you need.

Spare part

Replacement sound receiver

The same tailored contact receiver that ships with the amplifier — a good spare to keep in your case.

Stand

High-quality travel tripod

A compact, road-ready stand built to the same DIN 4503-1 / ISO 1222 thread as the amplifier's mount.

Power

Battery charger

The standard charger for the amplifier's 14.4 V rechargeable pack.

Transport

Carrying case

A fitted case for the amplifier, receiver and cables, sized for a guitar case's side pocket.

Mounting

Beeswax mounting kit

The same instrument-safe wax used to fix the receiver, for re-mounting or switching between guitars.

Stories

What changes on stage.

First real quote in; the other two are placeholders until more testimonials are collected
Expression

"I forgot that I had an amplifier. The sound was just natural."

[Name]Concert guitarist
Confidence

"I can hear myself properly and I know it carries to the back of the hall. I stopped thinking about the sound and just played."

J. K.Chamber musician, Leipzig
Simplicity

"The mounting took two minutes and I forgot it was there. That's the highest compliment I can give a piece of gear."

S. R.Guitar faculty, conservatory
FAQ

Questions we hear from guitarists.

Will it change the natural tone of my guitar?

No — that's the point of the onboard DSP. Instead of applying a generic amp voicing, it shapes the signal around your specific instrument's resonance, so the amplified sound reinforces your guitar rather than replacing its character.

Is mounting the receiver safe for my guitar's finish?

Yes. The receiver is fixed with a small amount of beeswax — the same material luthiers have used on instruments for centuries. It holds securely, leaves no residue, and comes off cleanly whenever you want to remove or reposition it.

Do I need to configure the DSP myself?

No manual tuning is required for normal use — the system is voiced around the receiver's placement and your instrument's response out of the box. Fine adjustment options are planned for a future update.

How long does the battery last, and how is it charged?

The amplifier runs on a standard 14.4 V rechargeable pack, charged with the included charger. We'll publish exact runtime figures once independent testing is complete — get in touch if you need numbers for a specific use case now.

Can I use it with instruments other than classical guitar?

Resonare is designed and tuned specifically for the classical guitar's body and string response. We're evaluating other acoustic instruments for future versions — let us know what you play.

Does it work with any microphone stand or tripod?

The cabinet mounts on the standard DIN 4503-1 / ISO 1222 thread found on most microphone and camera stands, including our own travel tripod accessory.

How do I order one, and do you ship?

There's no online checkout — every amplifier is ordered through the contact form. Reach out and we'll confirm price, build timeline and shipping to your address directly with you.

What does the warranty cover, and how do I get support?

Every unit is manufactured in Berlin and checked before it ships. Warranty terms will be published alongside our order process — for now, reach out through the contact form and we'll walk you through it directly.

How to get it

Ordered directly — no shop, just reach out.

There's no online checkout yet. Tell us about your guitar and setup below, and we'll confirm price, build timeline and shipping with you directly.

€1,999incl. VAT, plus shipping

Manufactured in Berlin.

Order Resonare
Contact

Let's talk about your guitar.

Questions about fit, sound or availability, or ready to order — tell us a little about your instrument and we'll get back to you.

We usually reply within 2 business days.